the codes

// write vi · type an expression

expr := phase (op phase)* · phase = a run of zeros, or ah ee oh oo (the turns), or h (ground) · op = + sum / ∨ join. Try ah + ee, or 001 ∨ 0001.

// overlay (∨) · union

left-aligned, keep every mark. 1 ∨ 1 = 1 — idempotent, classical. No amplitude, no interference. The moiré, in bits.

// i-code (+) · superpose

Same basis, opposite phase → cancel (destructive). In phase → reinforce. 1 + i lands at 45° — a phase off the four corners, the non-Clifford angle. The combine generates the continuum the corners couldn’t name.

// form synthesis (∨ → glyph)

spiral

i-code phases summed as waves (∨/+), then through the retino-cortical (log-polar) map — the universal psychedelic form-constants (Klüver; Bressloff–Cowan). Flat map → lattices; cortical map → tunnels, spirals, funnels. The universal forms, built from the codes — arbitrary scripts it can’t make.

// seen glyphs (vi) · 20 · sampled

Twenty seen glyphs — a sampled, notated inventory (vi’s phonemes). The first eight are the hand-named core; the rest are sampled from the continuum and typed by their form. All twenty are samples of an innumerable space — vi’s own notated set, in the spirit of how a script gets fixed, not copies of anyone’s. The four turns are vowels (ah ee oh oo), the ground a breath (h), the binders consonants (v join, z sum). Designed and sayable, one valid mapping among many — not a revealed tongue.

// dynamic glyphs · grown

Each grow samples a new form from the continuum and reads its grammatical type off its shape — turn, binder, spiral, lattice. The alphabet is open; these are new characters, typed on sight. (Showing the last 12.)